Time to destroy the stereotypes about Dalit occupations

Anurag Minus Verma
5 min readApr 13, 2020


Ignorance of Indians about the top-notch expertise of Dalits

Recently many of us have seen/read news about few Indians thanking sanitation workers (read Dalits) by flowers for combating the corona pandemic on streets. Such rare gestures look pleasant but this doesn’t change the fact that these are mere gestures. It is no surprise that in these emergency times, many Dalits are out there and fighting the battle. The same community that is the most inhumanely treated in India.

I even heard a comment a few days ago at my apartment building that “We must thank these ‘lower castes’ who are taking care of sanitation issues in these tough times.“

Such comments are welcomed but I wondered if we have a misconception that the contribution of Dalits in India is limited to cleaning the dirt of society. Are we ignorant of the variety of occupations that Dalits are/were masters of?

Even at many urban intellectual gatherings, I hear condescending comments on Dalits. At a recent house party where we screened an art film, a well-meaning acquaintance of mine said in a calm meditative tone — “Someone told me last night that you are from a Dalit community.“ He made such a sympathy face as if I am suffering from an incurable disorder and he is with me in this situation of enormous grief. I recollected Nietzsche’s quote, “There is a rollicking kindness that looks like malice.”

This again brings me to previous question- What is a good way to express gratitude to Dalits? I feel acknowledging the suffering of the community is the first step. The next and important one is to understand and acknowledge that Dalits are the great masters of many crafts and their tremendous knowledge system has thus resulted in enriching the Indian civilization.

Dalits are artisan community

A Premiere institute of design in India — National Institute of Design ( NID) is a hub for creating some of the brilliant artists every year. Many get placed in some of the coolest offices/ventures all over the globe and are paid quite well for their worth. Interestingly, many of the design courses they teach on the campus traditionally belonged to the lower castes. Such as Textile design, apparel design, accessory design, toy design.

It is a very less known fact that Dalit occupations are in fact related to aesthetical designs. The traditional occupation of the Meghwal community in Rajsthan was weaving of fabrics like Khadi, a task many of the Meghwals are still practicing. The colorful embroidery made by Meghwal women has refined craftsmanship with rich colors, and precise motifs and is popularly known as Meghwal embroidery in the Indian textile industry.

Meghwal Embroidery

Many unknown Dalit artisans are indirectly the suppliers of the latest fashion trends emulated by the general public of our urban society. All modern hip brands benefit from Dalits craftsmen which include names such as- Esprit, Tommy Hilfiger, Zara, Mango, PUMA, Prada, and Marks & Spencer. The craft of many low- caste cobblers is the force behind creating suave sling bags of the elites and middle class of the cities; an important flaunt-worthy item in their accessory.

In Bengal, the earliest successful craftspeople of the Indian musical instruments were mostly from the bottom layers of caste hierarchy. Namasudra and Poundra communities of Bengal, two scheduled caste communities, are known for possessing extraordinary skills of manufacturing classical musical instruments.

Gond paintings originating from the state of Madhya Pradesh are made by a Schedule Tribe. It has its roots in ancient tribal beliefs and traditions and these are very sought after paintings in the global art market. Paintings by artists such as Mayank Shyam ( Son of Jangarh Singh ) are sold in lakhs. There are demands for the artwork internationally and these paintings can be found in posh art galleries, five stars, or in the spotless modern houses of billionaires.

Gond Painting

In U.P, the Dalit community of bunkers is responsible for producing the top class handloom production in India. Especially in Benares, this dying art is associated with the creation of famous Banarasi Saree. One might see it in movies, donned by your favorite actresses or in a wedding where it enhances the charm of both married and yet to be married.

When we talk about footwear, we all know about Kolhapuri sandals, manufactured in Maharashtra. Another stylish footwear in India is popularly known as Punjabi jutti (Shoe) which has unique designs and intricate patterns. These Jutties are manufactured in a Punjabi town named Muktsar. Despite having possessed such an intricate art their work is looked down upon in the social hierarchy. The same jutii which taps on the songs of Badshah and Hardy Sandhu in night clubs have a history of caste discrimination for its creator.

Punjabi Jutti

As put by writer Siriyavan Anand, “The commodity is aestheticized but the person responsible for it, and indeed the community, suffers humiliation. At the abstract level, the Dalit product is appreciated, but the Dalit person — the concrete being is humiliated.”

Pride in being Dalit

A sense of inferiority complex is part of the experience of being a Dalit in India which is a direct result of conditioning set up by upper castes. Dalits themselves are unaware of their worth due to lack of information and the fact that we don’t have a culture of documenting achievements of Dalits. This has resulted in perpetuating this sense of underconfidence which, in a subtle psychological way, is causing enormous suffering to many Dalits.

Dalits have a lot to be proud of their identity, their culture, their unique skills, their knowledge system and finally, their contribution to nation-building.

We must introspect why the brilliant minds of the subcontinent were humiliated and subjugated to the worst treatment. Shouldn’t we introspect more on this? Isn’t this a collective failure of the nation?

Time has arrived to celebrate and acknowledge the contribution of Dalits communities in the field of artistic, intellectual and technological fields so that Dalits no longer feel the need to hide their identity. So that Dalits can just laugh out loud on dumb casteists comment on-campus that ‘Quota people are talentless.’

Hope in the glorious future a Dalit identity becomes a matter of absolute joy.